Daniel Dylan Wray argues that the depiction of Steel City life in a little-known 1995 film (currently being celebrated in an art exhibition and series of screenings) acts as a "companion and contrast piece" to Jarvis Cocker & co's commercial breakthrough, released the same year. Black and white still photography by Bill Stephenson.
In this month’s antidote to the algorithm, Tim Burrows steps into the outer reaches of the music scene of his Essex seaside hometown and tries to get back before the tide turns
Daryl Worthington heads to Riga in Latvia for the annual Skaņu Mežs festival, at which he's immersed in a bath of "deviant and defiant" music and art
Lovin’ You
The Verve singer returns, but he's treading water and long out of ideas, finds J.R. Moores
Jennifer Lucy Allan returns with another batch of rum music, reviewing an essential new compilation of Amy Sheffer, posthumous releases from Mika Vainio (as Ø) and Amelia Cuni, the return of Surface Of The Earth, the first recording of legendary Ugandan vocalist John Katokye, and much more
Artists discuss the 13 records that shaped their lives
Arusa Qureshi was never allowed a skateboard, but the soundtracks to Tony Hawk's Pro Skater series of computer games were a vital introduction to music – one that, she argues, was far more effective than today's algorithm-driven discovery mechanisms
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Enter Subscriber AreaJohn Freeman was not a fan of post-Witness rebirth Prince. Here he recalls happier days with Dirty Mind. The feature was first published in 2010
Each week we conjure up a miscellany of tQ writing from the mists of time for you. Most often random. Sometimes themed. Always enthralling.
Explore The PortalDaniel Dylan Wray argues that the depiction of Steel City life in a little-known 1995 film (currently being celebrated in an art exhibition and series of screenings) acts as a "companion and contrast piece" to Jarvis Cocker & co's commercial breakthrough, released the same year. Black and white still photography by Bill Stephenson.
Ian Thompson’s new book Synths, Sax & Situationists explores the legacy of soixante-huit through the music of bands like Cheval Fou, Barricade, Maajun and Fille Qui Mousse. It offers a “vivid” account with an “impressive” number of interviews, finds Michel Faber